Polly want a cracker?

NYHFA’s origins are fairly typical. Like most groups, we started with a few swords, a lot of enthusiasm and some books in which someone told us exactly what was in the treatises and how we should practice it. Our practice was also typical, we would do some warm-ups (maybe), a guard transition drill or two and then spend the rest of the day on paired techniques. We did all kinds of paired techniques. Static, dynamic, improvised. A few years later, we got really, really good. At paired techniques (and uselessly transitioning through guards).

It was about this time that I started noticing that we weren’t getting good at much else. We were okay in the free fencing department, but in the way that people without any training at all are sometimes okay because they’re fast and athletic and played with swords as kids. We could cut too, but not with the stuff we did in paired drills, because we were so busy trying to move in “true times” that we didn’t notice the damage it was doing to our body mechanics. All in all, we were pretty happy with ourselves. But in the back of my head I knew that there had to be more. I was winning fights because I was faster or stronger or just more determined, and losing them because I had no idea what was going on, or how to control it. I knew that I sucked, but I didn’t want to face it, because I didn’t know what to do about it. Learn some more techniques? Read some new manuals? Fat lot of good that did in the first place.

Fast forward to the present. I can see genuine progress in myself and my students. People who came to me a year ago and could barely hold a sword go out into the world and come back with ass prints on their boots. More important than seeing improvement, I can see why it’s happening, and most importantly, how. I win fights now because I can see and understand what’s happening, and how to apply Liechtenauer’s principles to control the situation. I lose fights when someone can do this better than I can, or when someone exploits a weakness in my technique or my mental state, and if I didn’t know what it was before the fight, I sure as hell will after.

What changed? It was quite simple, really. I’ll spare you the details of how (I had lots of help), but I realized that techniques are not the art. They are what one does with the art once one learns it. You can’t learn to fight from a book, this is known to everyone that knows how to fight, but you can learn techniques from a book, if you already know how to fight (the German longsword treatises tell us this up front, pay attention). When I look back at our past, I see that we were good parrots, and we wanted our cracker, but that’s about all we were. It was only when we stopped trying to learn techniques and tried instead to learn the art itself that we started making any real progress. And we got better at the techniques too, because we started doing them right.

I’m sharing this on our blog because I want what happened to us to not be an isolated incident. There are many fantastic HEMA groups out there that took a different road than we did. There are many roads, ours is but one. But this realization that the art is more than the sum of its techniques was a big part of ours, and if it can help someone make the transition from parrot to martial artist, then it was worth typing.

So, how can you learn the art if you can’t learn it from a book? I’m sure there are many ways, and I don’t know most of them (hey, what do you expect, I barely got out of the parrot jungle!). I only know what I did, and that isn’t too dissimilar from what our ancestors did. Learn a different, but similar art. An art that uses a two handed hewing weapon in a manner similar to the way a longsword is supposed to be used. There are plenty to choose from. Once you have a good grasp of that, learn Liechtenauer’s art.

There’s this really cool dude named Steve Hick. Some call him the grandfather of HEMA. He coined a simple HEMA law: “Don't do what seems logical or natural. Do what the period text says; when it doesn't make sense (or doesn't seem to), do it some more.”

Well, the texts say this: “…and those hidden and secret words of the teachings are made clear and explained below in the comments, so that anyone who already knows how to fight can understand them.”

So, if you’re starting out with naught more than a fechtbuch and a dream, that ain’t you. I’m not saying you won’t find some other way to get there, or even far beyond. I’m saying you’re not likely to get there parroting techniques. And if you do find another way, share it. It may help a parrot who’s wondering why he or she still sucks after many, many years of trying. It bears saying once more that the art is so much more than the sum of its techniques.